How Does Steinbeck Presents Curleys Wife in of Mice and Men Essay Example for Free

How Does Steinbeck Presents Curleys Wife in of Mice and Men Essay Curley’s wife is a significant personality in the novel. John Steinbeck presents her in different ways during the novel and uses different methods to influence the reader’s judgement, for instance through her look, as she is a complex character. Significantly Steinbeck makes it clear that nurture turns her into the person she is in the novel, her nature is different. He uses language to show us who she is as revealed by colour and light symbolism; incongruity of her appearance and the setting; simile. For the majority of the book she is labelled in a negative way as a treacherous, kittenish character which could be interpreted as a replication of the way civilization observed the character of women in the novel. Sometimes, Steinbeck includes thoughts denouncing Curley’s wife. He also points out some of her good qualities. Due to this, readers can interpret for themselves if Steinbeck thinks highly of her, or if he does not like her. Nevertheless later in the book Steinbeck deploys the reader into seeing her as complex, and feeling consideration for Curley’s wife; revealing her as a victim, anxious and secluded in a man’s world. Although he may go back and forth on Curley’s wife, in the end, Steinbeck is mainly condemning her. Steinbeck explores her as attractive towards man through her beauty and an attention seeker. In the passage the first words that Steinbeck uses are that â€Å"Both men glanced up,† and through this we are introduced to Curley’s wife through her effect on men and not through any notion of herself, which Steinbeck does to show us she is only worthy for the use of men. The word glanced up shows that she want men to look at her for she is has the beauty of an actress. Not extended moment when Steinbeck exaggerates â€Å"the rectangle of sunshine in the doorway way cut off. † Here, Steinbeck uses the light symbolically to highlight how imposing she is and present the idea that she is the obstacle to a better life. The image of Curley’s wife casting a shadow across the bunkhouse hints at trouble to come later in the novel. It soon becomes apparent that Curley’s wife is an outsider of the group when it states, â€Å"A girl was standing there looking in,† hence is a metaphor for the segregation she senses. It could be insightful of the gender roles at the time; women were only desired for men’s erotic desires rather than their company. One could also deduce it as how likewise to a ‘girl’, (which she ironically is no longer), she is in search of thoughtfulness and requires all eyes to be on her by standing in the sight of the whole world and might be realised as attempting to listen in on their conversation – both very juvenile schemes. Therefore Steinbeck presents Curley’s Wife in â€Å"Of Mice and Men† as someone who is very eye-catching and courtesy inquirer. On the other hand, he portrays her as isolated and discriminated by men as she is excluded for being female, which sometimes lead to violence. This is illustrated when she is called ‘tart’, ‘jailbait’, and ‘bitch’ by the men on the ranch; henceforth the ranch is a very hostile and misogynistic place. Curley’s Wife is an outsider and seems very out of place. She is frequently found in examine for companionship on the ranch as her recently found marriage does not give her the warmth she desires, as she states to Lennie â€Å"I don’t like Curley he aint a nice fella,† and due to this she often tries to cooperate with the other men although she is never allowed as they think a â€Å"ranch aint no place for a girl. † Carlson also states of how a â€Å"women should be at home where she belongs. † The fact that she is excluded from a place of physical work is symptomatic of how women were exposed during the 1930’s. They were not predictable to do work, but in its place stay at home and raise a family. Curley’ wife feels apprehensive because of the solitude she feels and it is made clear she is exasperated with this condition, â€Å"none of them care how I gotta live. † Nonetheless, the reader is presented with a side to an apparently playful and occasionally vindictive character. In chapter 5, Steinbeck permits Curley’s Wife’s character to eloquent emotions of loneliness, â€Å"I get lonely† and â€Å"I get awful lonely†. The use of repetition is used to give emphasis to the remoteness and frustration of not being able to talk to â€Å"nobody but Curley†, her hindrance which incessantly exteriors as she speaks to Lennie. Moreover, for the period of the scene Steinbeck describes as such â€Å"And then her words tumbled out in a passion of communication, as though she hurried before her listener could be taken away†. The word â€Å"tumbled† recommends her frantic need to communicate to people, at the same time as the expression â€Å"passion† demonstrates her authority and strength needed to interconnect. Yet, what is predominantly conspicuous is she is used to people walking away from her when she speaks, this generates such consideration for her. In this chapter she is also presented as a moderate and approachable character, as Steinbeck describes â€Å"she consoled him. ‘Don’t you worry any’ [†¦] she moved closer to him and spoke soothingly. † The fact that she spoke â€Å"soothingly† suggests that she has a kind nature, and asked in a maternal way when Lennie needed such gentleness. The reader can then relate this sudden behaviour transformation and her upcoming, but the syrupiness she bounces off blurs the reader’s sight to floral it. All the way through the novel as similar to Crooks, Curley’s Wife is not named. This highlights her lack of identity on the ranch and how she is viewed as the property of her husband as well as the word â€Å"live† indicates that she also is a living human being who wants to fulfil her dreams and desires but it would be impossible for her. As a result of her insecurities, she tries to combat her loneliness and sequestration by resorting to violence. Her vicious attacks on Crooks to getting him â€Å"strung up on a tree† and the attacks on Lennie due to his mental disability show how loneliness can not only change a person, but destroy them. All of the emotions Curley’s Wife encounters come as a result of the loneliness she feels, and these clearly represent of what a terrifying character she is. Therefore Steinbeck describes Curley’s wife as isolated and discriminate due to her gender of a female throughout the novel. Equally, at the end of the novel, she is presented as innocent and purified from all the trouble through the description of her appearance. This can be seen in chapter 6 when Steinbeck explains â€Å"Curleys wife lay with a half-covering of yellow hay. And the meanness and the plannings and the discontent and the ache for attention were all gone from her face. She was very pretty and simple, and her face was sweet and young. Now her rouged cheeks and her reddened lips made her seem alive and sleeping very lightly. The curls, tiny little sausages, were spread on the hay behind her head, and her lips were parted. As happens sometimes, a moment settled and hovered and remained for much more than a moment. And sound stopped and movement stopped for much, much more than a moment. † From this passage, the reader can acknowledge the real Curley’s wife but at the same time feel sorry for her as her dream was unfulfilled. The phrase â€Å"meanness ( ) plannings (†¦) discontent (†¦) were all gone from her face† shows that she is no longer vicious and dangerous as all the negativity vanished. Most importantly the phrase â€Å"roughed cheeks and reddened lips† conveys that her dream is unfulfilled and the repetition of â€Å"stopped† to emphasise stillness and the feelings of time standing still. Therefore Steinbeck does not present her as a negative character, but at the time of her death he shows the reader the real her as it was not her nature but nurture that made her what she was. In contrast Curley’s Wife at first is portrayed as a revolting unpleasant woman. Curley’s Wife is described by Steinbeck many times as â€Å"roughed lips and wide-spaced eyes. Her fingernails were red. † this causes the reader to think of her as he says so. Nonetheless, despite these brutal views of her, the reader is presented with a side to a seemingly flirtatious and sometimes malevolent character. The repetition of the colour â€Å"red† denotes the fact that she is very dangerous and cause lot of trouble as the colour red is frequently associated to blood and murder which foreshadows the scenes later on in the novel. An alternative interpretation could be that red is also represent as the colour of love and she is wanting to be love, but many readers would link it to her actress personality as most actress love to dress a lot. Not so long, Steinbeck describes her hair as â€Å"her hair hung in little rolled clusters, like sausages,† and this simile shocks the reader because sausages are disliked and filthy, so linking it to her means that she is also disliked. Furthermore as sausages do not match with hair, the same way she is not suitable for a place like the ranch. Therefore Steinbeck portrays Curley’s wife as a woman who is dangerous and disliked by linking her with words that supports the point. John Steinbeck points out many flaws in Curley’s wife. For example, he does this when he writes, â€Å"she leaned against the door frame so that her body was thrown forward† (Page 51). In this statement, Steinbeck is pointing out that Curley’s wife always tries to instigate something. He also describes her body image and how provocative she is, always looking for attention. Steinbeck says many more things to condemn Curley’s wife, but that is not all that he says about her. Steinbeck also defends Curley’s wife. He writes of how lonely she is, and describes her as innocent as the rabbits and puppy killed by another character, Lennie. For instance, Curley’s wife says, â€Å"Think I don’t want to talk to somebody ever’ once in a while? Think I like to stick in that house alla time? †(Page 77). In this statement, Curley’s wife implies that she is tired of being lonely and wants to talk to other people. As much as Steinbeck appears to flip-flop on his view of Curley’s wife, readers can draw different conclusions.

a scribes tale :: Free Essay Writer

A Scribes Tale Sometimes I wonder how I get myself into these situations. The last time I was almost sure my lifeless body would be lying on a burning pedestal, with the few friends I have staring on in sadness. I can stop wondering though – I asked to be here. It’s quiet right now, only the sound of the wolves in the distance and the chuckling laughter coming from the group as they drink themselves into numbness by the fire before they turn in for the night. I hope they plan to end soon – we are to wake early so that we may gain entry to the Keep by dawn.   Ã‚  Ã‚  Ã‚  Ã‚  They are an odd sort of adventurers. Their self appointed leader, Pheneis, is a legend in his own time. He is also the only reason I agreed to accompany this party as their scribe. He is an amazing, yet arrogant, fighter. I have heard many songs written by bards in his honor. I feel that I will be safer on this adventure than in the past, mainly because he agreed to help protect me (which he only agreed to if I give him due credit in my writings). There are five other members in this party. Each of them brings their own special flair. One is named Leon, a short, stocky little dwarf. Very handy with a battleaxe, but calling him rude would be an understatement. The second member is Galidar, a remarkable archer. He is a half-elf (his father was a human that fell in love with a beautiful elf from High Elm), and nobody seems to like him much, but they seem to respect his ability a great deal. Thirdly we have Maewyn; beautiful in her own rights, but I would never make her mad if I wanted to remain in this life. She is a talented mage with a short temper. Before leaving the town of Dandale I saw her turn an elf the deepest shade of purple simply because he made fun of her for doing tricks to entertain some of the town children. He felt this was a waste of her talents. Since dark elves are not allowed within the city, she felt the reactions that he received after her little color trick was plenty of entertainment for the children for about an hour until she finally dispelled her magic upon him. Now, none of these three are much heard of, but the forth is another story.

Interview people about the economy Essay

The people of the Orange County are an optimistic bunch. Yet, one can see this optimism slowly fading away into the darkness. For a country which is so close to perhaps world’s biggest entertainment hub, this is not a pretty picture. It would be wrong to blame the people. Little has gone right for the county since the economic recession of 2008, the effects of which are still quite visible. For a county which was already suffering from one of the more serious unemployment problems than compared to the average figures of the United States of America, the recession of 2008 has spelt doom, and its repercussions can still be felt. Take the case of the 34-year old Mr. Matthews who had a small shop selling electronic goods. However, with most people who gave him patronage, out of jobs or saving up for the bleak future, there are no takers for his once steadily selling shop of television sets and radios. His only hope is a government bailout, so that his customers have more money in their hands, or in other words greater purchasing power so as to indirectly get him out of this mess. Mr. Matthews situation is in complete contrast with Mrs. Mosby who is a secretary with the local government authority. She has been affected very little by the 2008 economic recession but maintains that she is concerned about a lot of her friends, whose businesses have shut or who have been shown the door in their jobs. The only consequence of this recession on her is that while her pay has not increased, prices of many commodities of even general use have gone by which makes it difficult for her to make the ends of her household meet. She is for the moment thankful that she has a government job, but strongly advocates that it is the state’s responsibility to find her fellow citizens a job which at the very least promises them adequate means of survival. Recession and the deteriorating economic situation is a concern not only to those who are currently affected by it, but also those who may be affected by it in the future. Take the case of 24-year old Mike, who is a final year student at the local university. He agrees that the heat in the air can be felt by all, and even though his university manages to put together a small career fair every year, it seems a difficult proposition this year. Although in the top half of his class, Mike admits that getting a job which helps him repay his educational loans he took for college, at least currently, seems to be a daunting task. He is hopeful that by the time he graduates, the situation would improve. He doesn’t make a case for out and out state intervention, but hopes that the state would help big economic powerhouses by giving them incentives and subsidies. Things have turned sour for those who are self-employed as well. Take the instance of a lawyer who has his own practice, Miss Timberlake. Litigation has become suddenly too expensive, and people seem to prefer to hold up matters for now. Even matters of home foreclosure have got delayed for now. People are looking at otherwise normal litigation procedures as a luxury service, which they are unable to afford at the moment, and are not as big a priority as say medical and health expenditure. Health insurance companies are facing the heat as no other according to Jeff, who works at one of the biggest insurance companies. The health and medical costs have spiraled over the last few years. The fact that people have very little disposal income, and are defaulting on their regular premium payments is making the matters worse for the insurance companies. Their being no solution in sight, people are turning to each other and urging them to perform acts of gratitude. For instance, appeals are being made to doctors and other hospital staff to give up a day’s pay. People are becoming much more cautious and conservative in spending their money. For instance, the younger siblings are getting their older siblings clothes. The insurance companies don’t have enough cash flowing in so as to be able to cope up with the increasing medical costs. This spells a disaster not just for one or two companies, but for two industries which are vital to the US economy – health and insurance. Whether there is a way out of this mess is the million dollar question facing everyone right now. The companies in both sectors, however, are optimistic and hope to see things improving with the Obama administration. Obama’s success in being able to pass the health insurance bill is being seen as a huge positive and people seem to be oddly comforted by his words of promise. Job creation is what people are currently looking forward to. Perhaps, the only sections of the society who have nothing to lose right now are the school going children. However, it is amazing how the economic crisis has made way into their everyday conversations as well. David who is only 14 is angry at the whole situation. He maintains that the whole crisis is the fault of the government, which allowed risky investments to be made. He is also unhappy about the liberal policies which have allowed a bulk of the work to be outsourced to other destinations where labour is much cheaper. Stricter laws are needed, he argues emphatically. Those who are retired have been hit badly as well. Their pension schemes and other insurance amounts are simply not enough for them to be able to make their ends meet. Home foreclosures are likely and in the offing, and this has most of them worried. Take the case of Mr. Andrews, who is 66 years old and survives on a small pension scheme. Recently the prices of even basic consumables have risen so sharply risen that he is finding it difficult to make the ends meet. His old age means that it is much more difficult for him to find a job as compared to other freshers just out of college. He is worried that if the State fails to take some concrete steps soon, many Americans could be tinkering on the verge of starving poverty. Take the case of Mr. Murdoch who is a stock market analyst and broker. In the economic recession of 2008, he lost close to $100,000. He says that he is devastated and doesn’t know if there is any hope remaining for his business, and whether he will be able to revive it in the near future. He is currently torn between the idea of continuing his business, or taking up a small job somewhere. However, he himself laughs at the irony of it all, given that it would be near impossible to find a job anywhere. He also feels responsible to many of his clients, who he was acting for, and have lost a considerable amount of money in the stock market. At the same time, however, he is quick to point out that investment in the market is subject to market risks, and therefore, one is understood to have assumed the same.

Toy Toys And The Toy - 917 Words

Girl toy you picked (with description) The toy I chose was located in the girl aisle labeled dolls and accessory. The toy was a miniature gourmet kitchen set. While a doll wasn’t included in the set the toy was part of a line of â€Å"Our Generation† dolls and accessories. The age range located on the toy was 3 and up. On the description of the toy it says â€Å"She can pretend to bake muffins, cookies and cupcakes and then clean up afterwards.† The toy came along with lots of pieces all being very colorful in schemes of darks and light pink. Boy toy you picked (with description) The boy toy I chose was a Black and Decker rolling tool bench. The toy included 14 plastic workbench accessories such as hammers, and saws. The age suggested for this toy was the same for the girl toy three and up. A tag hanging off of the toy had a cartoon drawing of a young boy in working apparel-holding tools. Obvious differences between the toys and/or toy aisles The first obvious difference between the two aisles was the color schemes. The boy’s aisle was full of blues, greens, and darker colors. While the girls aisle was filled with bright colors such as pink and purples. Another difference I noticed was the boy aisle was also placed more toward outdoor toys while the girl section was located near indoor athletic merchandize. The boy aisle overall had more active toys. Such as nerf guns, swords, action figures, remote controlled cars. The girl aisle had games that would be more refined toShow MoreRelatedVideo Toys : Toys And Toys Essay1713 Words   |  7 Pageswent to observe the kids’ clothing and toys sections, I immediately was presented with the topics we covered in class. Not only were the boy and girl clothing sections completely separate, but most of the toys were departmentalized into â€Å"girl toys† and â€Å"boy toys.† As I made my way up one aisl e and down the next, I made note of what the various signs read. Some of the sign names in which I wrote down included: animatronic toys/companion dolls/art and craft toys, Disney dress up/Disney dolls/Disney princess/DisneyRead MoreToys : Toys Affect Their Gender1073 Words   |  5 Pages Toys are one of the greatest creations of all time, they come in all sorts of colors, shapes, and forms. Many people might not know, but toys, play a major role in children’s lives as they grow up. Through out years’ parents have been focusing on how girl toys impact them as they grow up, but haven’t noticed that boy toys affect their gender construction just the same. Legos for example created in 1932 by Ole Kirk Christiansen, most popular for boys, have always been portrayed as neutrally genderedRead MoreToys : Toys And Its Product Mix2113 Words   |  9 PagesG.G. Toys is concerned with decreasing margins on a historically profitable doll. Based on information derived f rom G.G. Toys’ traditional costing system, company president Robert Parker is considering several options to boost flagging margins. This report will analyze information provided in the G.G. Toys case study to determine whether G.G. Toys has an accurate representation of the true profitability of items in its product mix. It will also offer recommendations on whether G.G. Toys shouldRead MoreExamples Of Toys In Toy Story 3805 Words   |  4 PagesToy Story 3: All good things must come to an End In the movie Toy Story 3, the toys that were once loved and played with by Andy are sent off to a new home where things seem great. They soon learn, however, that living at their new home is far from their old life. The toys that have been used by Andy for years are suddenly packed up and sent off to a new home, a daycare, with no reasoning. The toys then meet a stuffed bear named Lots-O who at first seemed to take the leadership role in place ofRead MoreToys : Toys And Their Effects On The Health Of The Child Essay1710 Words   |  7 PagesSAFE TOYS As a parent it is a guarantee that you are going to buy your kids toys. Even so, it is important that you by them safe toys to play with and just blindly buy them anything as long as it is going to keep them busy and give you some time to concentrate on yourself. It is fun to play with toys but these toys can also have some hazardous implications to the health of the child. 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Other popular toys that we anticipate will be sought after this holiday season are: the Jedi Master Lightsaber, FurReal Friends StarLily, and Fisher-Price Bright Beats Dance Move Beatbo. Toy deals are usually impressive for Black Friday with some items discountedRead MoreToy Of Maine Green Toys Inc.1772 Words   |  8 PagesToys â€Å"R† Us is a distinct competitor, though it does not compete in the same niche business, so it will be considered an indirect competitor. How will your products or services compare with the competition? Our products will be of very high quality, locally made, and will have minimal environmental impact. Our competitors will not offer as in-depth a commitment to the â€Å"green† aspect of the toys. In the final column, estimate the importance of each competitive factor to the customer. 1 = critical;Read MoreToy Story1455 Words   |  6 PagesDate: Mar 19, 2013 â€Å"A Toy s Story Observation† When you think about toys the first thing that comes to mind is the joy they gave when you were a kid growing up, and the smile they put on your kid’s face when you see them playing with them on a daily basis. What if toys could talk? What information would they give us? What would they tell us? Recently I set out on a quest to better understand what information I could get just by looking at the toys in my local neighborhood toy store and how they shapeRead MoreSpeciality Toys.1487 Words   |  6 PagesThe Synopsis of the problem: Specialty Toys, a retailer of Children’s toys is planning to launch a new toy called â€Å"Weather Teddy†. Sales Managers at the stores are working relentlessly to forecast the most appropriate demand order quantity in such a way that profit could be maximized. The analysis of the problem calls for an ideal demand order quantity situation with lower probability of stock-out option. Following is the statistical information given: The cost of goods sold per unit = $ 16 The

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The Theories Of The And Social Control Of A Person Being...

Final Exam Short Answer 1. What is meant by the concept of a â€Å"societal reaction?† According to any of the labeling theories, describe two ways that the reactions of others might affect a person being defined as a deviant. @According to labeling theory, the societal reaction refers to the responses of formal and informal agencies of social control towards deviances, no behavior is inherently deviant on its own, instead it is this reaction to the behavior that determines what is considered to be deviant. @One way that the reactions of others might affect a person being defined as a deviant involves the concept of vigilantism, to some people they see vigilantes as heroes and thus they advocate to legalize their actions while to others they see vigilantes as deviant as they are no better than the crooks that they are trying to catch and thus they advocate to criminalize their actions @Another way that the reactions of others might affect a person being defined as a deviant involves the discussion of police killings to some people they see the police as heroes and thus they argue that sometimes dangerous situations call for extreme actions while to others they see police killings as horrid and reckless and thus they argue that they should focus more on subduing their suspects rather than shooting them so advocate to criminalize their actions. 2. 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Social control theory refers toRead MoreNew Deviancy and Labeling Theory1108 Words   |  5 PagesNew Deviancy notes for Assignment! New deviancy theory emerged in the 1960s and early 1970s. It was primarily a radical response to positivist domination of criminology (that crime is the result of individual, physical, and social conditions). The new deviancy theorists believed in free will and creativity. According to this theory, crime is that behaviour which violates the interests of the powerful. The definition of crime or deviance depends upon two activities: one, an act of an individualRead MoreWhy People Commit The Crime Essay1538 Words   |  7 PagesCriminological theory is the explanation of criminal behavior, as well as the behavior of juveniles, attorneys, prosecutors, judges, correctional personnel, victims, and other actors in the criminal justice process. 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Broadcasting Quality Free Essays

Broadcasting organizations exist basically to communicate to people. Whether radio or TV stations are Government, Commercial or Private, whether programmes are spoken word, music, commercials or community announcements, in all cases the message needs to get through. The emphasis in programmes must always be on quality, both content and sound. We will write a custom essay sample on Broadcasting Quality or any similar topic only for you Order Now Staff engaged in program presentation need to be conscious of making the broadcasting system seem to be transparent to the audience. Listeners and viewers should only be aware of the actual program and not the ‘nuts and bolts’ of the radio and / or TV station. In order to ensure High Quality Broadcasting, a Broadcaster or Broadcasting company should by all means be instrumental in enhancing our understanding of the world – To inform its audiences and arm them with a better understanding of the world through news, information and analysis of current events and ideas. It is a function which comes hand in hand with the Stimulation of knowledge and learning, since the content should be of capable of stimulating its viewer’s interest in the knowledge of arts, sciences, history and other topics through content that is accessible to its projected recipients and can easily encourage informal learning. Representing diversity and alternative viewpoints is by all means also a component of responsible quality broadcasting. It is one its main purpose to make people aware of different cultures and alternative viewpoints, by showing programmes that reflect the lives of other people and other communities. One of the major influences affecting broadcasting would be the existing Socio-Economic factors. Economic components have long played a key role in public policy toward broadcasting, not only where private commercial systems dominate but also where there is a public funding mechanism. Major national public service broadcasters are large programme production industries that collectively represent a substantial capital and operating investment. Many of them have had commercial support, and no matter how â€Å"non-commercial† the production distribution-reception process, it is usually closely associated with (and profits from) a substantial private, profit-oriented industry that manufactures receiving sets and electronic equipment. But broadcasting’s direct contribution to the gross national product has been modest, especially when compared to most societies† major sources of economic activity (Blumler, 2000; 26). In the field of digital television broadcasting, North America has been some years ahead of the rest of the world in its faith in what could be done with very powerful image compression systems. The open decision–making process which has taken place in the United States for advanced television (ATV) is a considerable achievement, and a great credit to the many individuals involved. In Europe, considerable expertise has been accumulated in image compression and digital modulation, but a range of factors and circumstances have influenced the profile given, until recently, to studies of digital terrestrial television broadcasting. These have included pessimism that the planning environment in Europe would allow the development of digital high definition terrestrial television with reasonable coverage, and pessimism that sufficiently attractive picture quality could be achieved with the bit–rates that are possible in terrestrial networks. Today there is clear recognition in Europe that we must pursue quality digital television broadcasting, that we should be undaunted with the problems, and that we should explore the potential solutions, this is because the prize for success w ill be considerable. An international committee, the European Launching Group (ELG), has been established to try to coordinate the various projects which are developing digital terrestrial television broadcasting, or indeed related systems, in Europe. This committee has a technical subcommittee, the Working Group on Digital Television Broadcasting (WGDTB). The WGDTB has examined the aims of the current collaborative projects, and their timescales, and looked at the potential uses of digital television broadcasting. They arrived, at the end of 1992, at a work plan, intended to make it possible for Europe to achieve common standards for digital television broadcasting within the next few years (Altschull, 1984, p 112). European centered on the development of modulation systems appropriate for digital terrestrial television centered on the development of modulation systems for 20 GHz digital satellite television centered on the development of digital HDTV satellite point–to–point systems developing all aspects of digital terrestrial television developing all aspects of digital terrestrial television developing base band coding systems continuing studies of terrestrial and satellite planning, requirements and testing present article will outline some features of this plan, and give the background to the conclusions reached (Anand, 1993, p 156-210). What the WGDTB has done is to develop a first scenario which needs now to be taken up by experimental work. A fundamental limitation on the quality and ruggedness of terrestrial television services will be the terrestrial channel capacity. In Europe, the VHF/UHF broadcast television bands use either 7or 8 MHz channels. The working assumption has been that the system should have a bandwidth of about 7. 5 MHz. The prospect of using more than one channel in a contiguous way for a single broad-cast service seem remote, and the prospects of obtaining new frequency allocations with a wider channel spacing, even more so. Given a 7. 5 MHz channel, it seems that the upper bound on gross bit rate is likely to be about 30 M bit/s. The first task the WGDTB undertook was to evaluate the options which seemed most likely to be attractive and saleable to the European consumer in the next century, in the light of what could be seen, or predicted, as general trends in society (Anand, 1993, p 156). There is no doubt that the quality expectations of viewers are rising, and that the long–term future of television lies with HDTV. Nevertheless, the Group was also conscious that viewing habits are changing as society evolves. Therefore, when setting system goals there are dimensions other than quality which need to be taken into account (Briggs, 1999, p 145). It is not sufficient to ask what the public may want, we also need to ask when and where they will want it. Furthermore, the practical large flat–screen HDTV display, for many years regarded as the key to HDTV acceptability in the domestic environment, seems nearly as far away as ever. One underlying trend in society is toward individual activity, rather than group activity. A second element to consider is mobility. Essentially sound–radio has migrated from a group experience in the home, to a near–individual activity in the car. We could reasonably ask if some of the same evolution will apply to television to any degree, orate least whether television will also have to cope with a mobile environment. There seemed to be four options, essentially linked to different viewing environments, which were worthy of most attention. The options are as follows:– HDTV (high definition television), which offers services to viewers with very large screen receivers, using fixed roof–top aerials. – EDTV (extended definition television), which offers services to viewers with medium to large screen receivers using fixed roof–top aerials. – SDTV (standard definition television), which offers services to viewers with portable televisions using set–top aerials. and LDTV (limited definition television), which offers services to viewers with small screen receivers using whip/stub aerials in a mobile situation (e. g. in acre). In order to translate these concepts to practical sys-teems, it is necessary to decide what is meant pre-cicely by the quality in each case, and what is meant precisely by each of the receiving environments. Picture quality is difficult to quantify in absolute terms, because it is the net effect of a series of factors such as resolution, sharpness, noise, artifacts, etc. It is by no means only related to the scanning standard. The picture quality that is achieved will also be related to the source quality, the sophistication of the compression algorithm, and the bit rate used. The receiving environment can be defined some-what more easily. It is related to the bit–error distribution in which the system is required to work. In other words, it is associated with the ruggedness necessary to achieve impairment–free pictures of the intended quality. As a first assumption in the WGDTB, the roof–top environment is considered to be associated with a spectral efficiency of 4 bits/s/Hz. The portable environment is considered to need 1–2 bits/s/Hz, and the mobile environment is considered to need 1 bit/s/Hz. 2. REVIEW OF RELATED LITERATURE A. The Dimensions of Picture Quality Color Television was initially conceptualized in the 1950’s. Back then, a single color picture requires three images, specifically red, green, and blue (RGB) for light emitting devices such as cathode ray tubes (CRT). This would require a 30 MHz bandwidth to provide the desired picture rate, starting from the full progressive scan picture. To reduce the bandwidth to 15 MHz for an analog RGB system, an interlace is used. Within a studio the signals are carried on three separate cables at 5 MHz or more bandwidth each, a fundamental compression scheme used in color television is to translate the three color signals into the color-difference domain where the picture is represented by a luminance (equivalent to the earlier monochrome) picture and two color difference pictures, R-Y and B-Y. Another name for this system is YUV, Y for luminance and U, V for the two color difference signals. Again using the limitations of the human visual system, in this case less color than luminance visual acuity, the bandwidth of the color difference signals is reduced by 50% for a total YUV bandwidth requirement of 10 MHz. Today, YUV signals are used in both analog and digital forms and have very little visible degradation compared to interlaced RGB video. Both forms are known as component video with YUV being used for most applications. Nowadays, there are two reasons to compress television video signals, practical limitations of processing speed (bandwidth) and cost of transmission or storage resulting from the required bandwidth. Today, the availability of high speed semiconductors and integrated circuits make the latter reason most important in nearly all applications. Virtually all video compression methods utilize the limitations of the human visual system to remove the less visible picture information that might otherwise be present. As broadcast television was being developed, display rates of 50 or 60 pictures per second were considered necessary. Discussing Quality Broadcasting and its future would not be complete without discussing the past and present of Broadcasting. Cathode-ray tube, also known as CRT’s is the technology used in most televisions and computer display screens. A CRT works by moving an electron beam back and forth across the back of the screen. Each time the beam makes a pass across the screen, it lights up phosphor dots on the inside of the glass tube, thereby illuminating the active portions of the screen. By drawing many such lines from the top to the bottom of the screen, it creates an entire screenful of images. The technology used for the display is also a critical part of the quality equation, and all broadcasters currently suffer from a lack of flat panel monitors which can be used to check that picture quality is perfect before it leaves the studio. The reason is because display are no longer made using ‘CRTs’, which had many disadvantages, but could be made as very high precision instruments when needed. This is not so easy with today’s flat panel display. An analysis of the options available for a common multiplex is currently being made. There seem to be a number of potential candidates for a common multiplex, and particular attention unfocussed on the MPEG proposals and the DAB system. A unique system for DAB and Devisees particularly attractive. a. ) HDTV Nowadays, we have different prototypes of devices which we use to enhance broadcast information quality with. One of these numerous devices would be what we call HDTV which is also known as High-Definition Television. This is basically a new television prototype that provides much better resolution and resonance than current televisions based on the NTSC standard. HDTV is a type of Digital Television (DTV) broadcast, and is considered to be the best quality DTV format available. Types of HDTV displays include direct-view, plasma, rear screen, and front screen projection. HDTV requires an HDTV tuner to view and the most detailed HDTV format is 1080i. HDTV is a digital TV broadcasting format where the broadcast transmits widescreen pictures with more detail and quality than found in a standard analog television, or other digital television formats. High definition television is defined rather loosely by the International Telecommunication Union (ITU) as a system which has about twice the horizontal and vertical definition of conventional television. This still leaves open the amount of noise or artifacts that are permitted, and which affect the picture quality just as much as definition. In Europe, Asia, South America and across other parts of the world the PAL system is adopted by each state, and often with some unique characteristic, such as the location of the sound carrier. This means for protecting sovereign borders has made for complications in program exchange, though presumably has not impacted the set sales in any of the regions. Further-more, there is a relatively wide range of definitions available within the term â€Å"conventional television†. In addition, interlaced systems have a triangular vertical–temporal response, so it is difficult to know where the concept of â€Å"twice resolution† applies (Anand, 1993, p 210). To pin down HDTV, we have to look at the combined effect of all the quality factors on the picture; and, to some extent, make up new rules. It is apparent that the NTSC standard sets the limits today in television quality. The NTSC system is a composite system, meaning the color or chrominance information is embedded in the luminace information. In over-the-air and cable transmission there are frequently micro reflections produced, which deliver somewhat delayed second or third harmonic images (which are commonly referred to as ghosting). Only so many scanning lines, so much bandwidth is in the standard. There is also the inclusion of interlace scanning, producing aliasing artifacts, interline noise (often called â€Å"twitter†), and dot crawl which is undeniably the factor which makes perfected separation by way of comb filtering of color and luminance information very expensive, thus color smearing results in most modestly priced sets without this device included. The accumulation of artifacts from the traditional NTSC standard has placed a practical size limit of the television image since most consumers perceive an increase in size as a â€Å"cause† of the artifacts, rather than merely the exposing of them. While filtering techniques have improved, the cross color and dot crawl artifacts, there remains the unalterable fact that the total amount of picture information in the broadcast standard has a specific limit. When deciding on a required picture quality we have to bear in mind the target viewing distance, and the need to ask, responsibly, for no more than is necessary. Digital compression systems all work in a similar way. The information content of the source picture varies from scene to scene. The system reproduces the content of the input picture essentially intact, until the point is reached where the transmission bit–rate will be exceeded if nothing is done. At this point, a series of approximations are made to parts of the scene. The output scene can thus have (apparently) added noise or loss of resolution, to an extent depending on the original scene content. For any practical system there will always be scenes which are reproduced perfectly, and others which are impaired. The system designer’s intention is to make the impairments occur as infrequently as possible, and be as unobtrusive as possible. The main approach examined by the WGDTB to specify the quality needed is termed the â€Å"scene–content failure characteristic†. This is a logical and scientific method, but it is also relatively ex-pensive to use. The basic element to be specified is the proportion of total programmed time which should be free of artifacts. â€Å"Freedom from artifacts† is considered to be associated with a minimum mean score of 12% in a double–stimulus continuous–quality scale (DSCQS) subjective evaluation. This is somewhat arbitrary figure, but much experience shows it to be a good rule of thumb for virtual transparency. The challenges are then, first, to decide what constitutes a sensible proportion of time for which impairment free pictures should be demanded. The second challenge is to assemble statistical evidence about the relative occurrence of different kinds of scene content, so that it can be verified that the requirements are met. In choosing the proportion of time for which impairment–free pictures could be expected, we can look to the other â€Å"statistical† domain of picture quality, which is the propagation failure characteristic, used as a planning criterion. For example, in broadcasting satellite systems (BSS), quality is required to be maintained for a defined percentage of the worst month of the year. If this kind of guide-line is acceptable for satellite systems, would it also be acceptable for terrestrial television broad-casting? Unfortunately, the answer is â€Å"not quite†. In satellite broadcasting, the â€Å"outage time† is used up in rain–fades, which occur over a period of, say, half–an–hour. The quantization–noise artifacts that are introduced by digital coding will probably be more spaced out than this, and their effects will therefore be less severe on the viewers overall perception of quality (this is sometimes called the â€Å"forgiveness effect†). However, it may be appropriate to adopt a value similar to that for the BSS as a starting point for fixing the scene content failure characteristic requirement (Anand, 1993, p 210). The WGDTB has tentatively begun by taking 99. 7% transparency as the requirement for the dig-ital terrestrial HDTV service. Coupled with this, it is assumed that the reference quality is a1250/50/2:1 HDTV studio signal, with 1440 samples/line. We do not yet have a catalogue of HDTV picture sequences and their places on a code â€Å"criticality table†, but we do have some experience from for-mar 4:2:2 code studies (Altschull, 1984, p 112). These suggest that to achieve the target transparency, the code would need to pass, unimpaired, almost all the test pictures so far devised, including the second most–stringent CCIR sequence â€Å"mobile and calendar†(critical, but even so only in the area of 80%–90%criticality). The quality target is very high, and may not be achievable at the available bit–rate. But it certainly is worth aiming high at the start. It is known from past experience that HDTV source and display equipment quality will improve, and a system which will last well into the next century would be valuable. The next key question is â€Å"what quality can be achieved with 20–30 M bit/s? † Initial tests may be possible in autumn 1993 with the HD–DIVINE system, and these would probably provide first clues. b. ) EDTV The second quality level to be discussed is termed EDTV. EDTV is a common name for a particular subset of the DTV (Digital Television) standards, but On a large display screen only. It is also known as Enhanced Definition Television or extended definition television. EDTV is considered to be specifically a part of the HDTV format but does not fall near the quality and performance of HDTV. EDTV as a whole can only simulate HDTV viewing quality. However, The EDTV prototype offers more technological advancements over the SDTV unit. EDTV operates as 480p (where 480 represents the vertical resolution and p represents progressive scan). To take advantage of the said 480p standard, video source that outputs that signal (i. e. a DVD player) must be used and the display must be able to read the 480p input signal. As an additional feature an EDTV unit also offers the benefits of Dolby digital surround sound This is not a particularly appropriate name, because the scanning standard for the system would be the normal625–line system. The level is included because large–screen HDTV receivers, which have an HDTV dot pitch, will be very unwieldy and very expensive for many years to come. An EDTV level would fulfill a need for a lower–cost and lighter receiver. Having probably a screen size less than about 30 inches, it would not be dramatically inferior to an HDTV display in perceived quality. There may also be living rooms which are not large enough to take a true HDTV receiver. The source format for EDTV is assumed to be a signal conforming to CCIR Recommendation 601, with 720 samples per line and a 16:9 aspect ratio (Starks, 1993, p 196). The codes transparency required, in terms of the percentage of program time unimpaired, would be roughly the same as for the HDTV level (al-though in this case with respect to the 4:2:2source). The best information available at the present time is that in order to achieve this level of transparency, a bit–rate of about 9–11 M bit/s is probably needed for a motion–compensated hybrid DCT system. c. ) SDTV The third quality level considered is SDTV,. Short for Standard Definition Television it is a type of digital television operation method which is able to transmit and produce images which are of a higher quality than standard analog broadcast. While SDTV does not reach near the quality of HDTV, it is definitely superior over traditional analog television. SDTV is typically a 480i signal – where 480 represents the vertical resolution and i represents interlaced. Digital cable and digital satellite programming is widely available in SDTV format. This is specifically intended to match the quality needs of portable receivers. On small–to–medium screen sizes, even today’s PAL/SECAM quality is very good. Thus, for the SDTV level, a system which has a625–line scanning format is needed, but some artifacts can also be accepted, as is the case for both PAL and SECAM. The kinds of artifacts associated with PAL/SECAM and a digital motion–compensated hybrid DCT system will be different, but it is believed that in order to achieve, globally, about the same over-all quality, a data rate of about 5–6 M bit/s is needed. d. ) LDTV The fourth quality level is LDTV, limited definition television. This is intended to match the needs of very small screen receivers, which might be used in cars, and now being incorporated to mobile phones as well. The quality requirements of this level would be about the same as the MPEG 1 codes or about VHS level. Specifying the quality requirements, and evaluating the systems in terms of their scene–content failure characteristics will be a major technical challenge, principally because of the need to establish how often scenes of a particular type of content are likely to occur. There may be alternative simpler approaches which will also help to understand and quantify the systems’ behavior. Another potential quality evaluation criterion, which the WGDTB has been asked to consider, is associated with the concept of â€Å"quality space†. Our perception of the picture quality of a given system is directly influenced by the viewing distance. The further from the screen, or the narrower the viewing angle, the less discriminating we are in terms of resolution or artifacts. One way, therefore, to see the various quality levels, is by imagining that there is a â€Å"quality space†, which is a graphical representation of picture quality–versus–viewing distance. For the picture quality axis, we use the same axis as for DSCQS evaluations (Andersen, 1990, 291). There are five contiguous and equal intervals characterized by the quality descriptors: excellent, good, fair, poor, and bad. Similarly, It was specified by the EDTV system as one for which the results of assessments must fall in the excellent band at 4H. SDTV systems are those for which the results must fall in the excellent band at6H, and an LDTV system as one for which the results must fall in the excellent band at 8H. This seems a relatively clear means of defining and distinguishing between the quality levels, but experimental work remains to be done to establish its viability in practice. DISCUSSION A. Impact of Source quality Another interesting dimension to this question of picture quality concerns the impact of source quality on final picture quality under high compression. Compression systems may show a characteristic such that it could be considered (in a simplified way) that their characteristics of quality–versus–bit–rate have two regions. A Camcorder video compression device was recently developed to function effectively in a variety of applications and which could effectively address the need for high-resolution surveillance image recording. The said device is able to simultaneously encode two separate streaming images — full size and quarter size — with robust compression and high quality. The creator of the device, Showlei Associates has announced that its CamCoder video compression device will dramatically lower the cost, power consumption and size for the compression of high-definition streaming images. The IC also contains internal logic for user-programmable motion detection and watermark insertion, as well as on-board memory. High definition compression systems, as available today, do not perform as well as predictions made several years ago, with the exception of the newly created device – but the next years should bring maturity and allow more complexity in equipment. E It is a common consensus that the full benefits for broadcasters of the new advanced compression systems would be achieved eventually. However as of the present time inventors are still finding a way to get pass one of the quality defects of digital broadcasting today, this problem is the lack of synchronization between vision and sound. Achieving this may even become more difficult with more advanced codes. This still needs to be carefully evaluated by all broadcasters to find any loopholes in the said device. Conclusion The Quality of Broadcasting is by all means generated by a combination of both responsible dissemination of information and state of the art broadcasting equipment. The way in which information is disseminated and retained by the audiences would first and foremost be the determining factor as to effectiveness of the broadcasting being done. The content plays a very important role in keeping the interest of the audience and it should be discerned that without a substantially good topic, even the most advanced equipment to disseminate information would not be a factor at all. It is in this context that commitments must soon be made and it is to be of utmost importance that all administrations and organizations which will be affected by technological changes should be able to share in the accumulated understanding of the factors involved with a view to taking carefully considered decisions. To assist in this process, the ITU/BR has convened a Workshop Tomorrow’s television – Thaw IDER picture, with the support of the European Broadcasting Union and the Asia–Pacific Broad-casting Union. It aims to bring together the expertise necessary for a common understanding of the issues and, to allow a balanced representation of all contending systems, the Workshop is being held away from the main centers of study, in New Zealand. BIBLIOGRAPHY Altschull, J. H. 1984. Agents of Power: The Role of News Media in Human Affairs. New York: Longman, p 112 Anand, A. 1993. â€Å"Introduction,† 1-24 in Women’s Feature Service (ed. ), The Power to Change: Women in the Third World Redefine their Environment. New Jersey: Zed Books, p 156-210 Andersen,P. A. M. W. Lustig J. F. Andersen. 1990. â€Å"Changes in Latitude, Changes in Attitude:The Relationship between Climate and Interpersonal Communication Predispositions,† Communication Quarterly, v38 (1990): 291-311. Blumler, J. G. (2000). Public service broadcasting in multi-channel conditions: Functions and funding. In S. Barnett (Ed. ), Funding the BBC†s future (pp. 26-41). London: BFI Publishing, p 521-540 Briggs, A. (1999). History of broadcasting in the United Kingdom: Vol. 1. The birth of broadcasting. Oxford, England: Oxford University Press, p 124-145 Starks, M. (1993). Public services and market forces: The BBC experience. London: British Broadcasting Corporation, p 196-214 HDTV Copyright 2007 Jupitermedia Corporation All Rights Reserved. Copyright 2007 Jupitermedia Corporation All Rights Reserved. http://www. webopedia. com/TERM/H/HDTV. html Grossman, S. (2007) A breakthrough in high-definition image compression technology http://rfdesign. com/military_defense_electronics/news/breakthrough_in_technology_0613/ What is Quality? (1996), Research Note 93. Retrieved August 20, 2007 http://www. cpb. org/stations/reports/archived/researchnote93. html What is a CRT? (2002) Retrieved August 20, 2007 Copyright 2007 Jupitermedia Corporation All Rights Reserved. http://www. webopedia. com/TERM/C/CRT. html What is an SDTV? (2002) Retrieved August 20, 2007 Copyright 2007 Jupitermedia Corporation All Rights Reserved. http://www. webopedia. com/TERM/C/CRT. html What is an EDTV? (2002) Retrieved August 20, 2007 Copyright 2007 Jupitermedia Corporation All Rights Reserved. http://www. webopedia. com/TERM/C/CRT. html Public Service Broadcasting: annual report 2007 Retrieved August 20, 2007 http://www. ofcom. org. uk/tv/psb_review/annrep/psb07/ Austerberry, D. (2006) IBC: A move away from Broadcasting? Retrieved August 20, 2007,  © 2007 Prism Business Media In How to cite Broadcasting Quality, Papers